Bonamassa Fet Drivers For Mac
The FET Driver does the high gain Tube Driver sound very well. Low gain not so much but I have my Keeley BD-2 for that. Supposedly the FET Driver has the same exact schematic as the Tube Driver minus the tube obviously but the tube makes a world of difference. MXR M264 FET DRIVER ギターエフェクター Joe Bonamassa FET DRIVERを元にMXRの定番化としました。 FETをOPアンプのゲインステージでドライブすることにより、チューブアンプをオーバードライブさせたときのリッチでクリーミーなサウンドを得られるオーバードライブ、ディストーションペダル.
Bonamassa Fet Drivers For Mac Os
Anyone who is even remotely familiar with Joe Bonamassa knows he’s a huge collector of vintage guitars and amps. There’s the now-famous picture circulating of him on a nearly basketball court-size soundstage packed with gear. You think it’s staged, but nope, it’s all his.
The guy could stock his own music store, so impressive is his collection of classic Gibsons and Fenders. Cool Alvarez models among them, as well. To-die-for instruments that drip mojo.
We’re talking ’59 Les Pauls (yes, plural). And the amps!, Dumbles, so many flavors of tone. His four-amp touring rig is a sight and sound to behold as well, with a Marshall Silver Jubilee JCM800 at the heart of it. But Joe proves the adage that “80% of your tone is in your hands”, because whatever he picks up, he sounds like HIM. Sure, it doesn’t hurt that the other 20% is generated by an ever-evolving rig of awesomeness.
But it’s still all him. We recently had a chance to chat with Joe about his gear, his approach to tone, and what was new for this tour.
We were also curious as to how well his blend in with the vintage PAFs in the instruments he leaves nearly bone-stock live. So what’s changed about your live rig this time around? Oh, this year the Dumbles have been added! So, I have two Overdrive Specials – one from 1992, and one from 1994.
A head, a cabinet, and a combo. So that’s the thing that’s changed the most.
The rig’s gotten a little more expensive, but it sounds good it sounds good. Do you vary your string gauges for say, different tunings, or do you have a preferred set you use for everything (electric)?.11-52 for everything – electric and acoustic.
Uh, some of the acoustics that are standard tuning are.12-56, but most everything we have is.11-52. There’s an excellent Rig Rundown video of the 2013 version of your rig. Can you elaborate on how the four-amp switching system your tech spoke about is used? Well, the Jubilee is always on. There’s a Jubilee, it’s always on and it’s the base of the sound, and then there’s three alternate tones: There’s a second Jubilee, so it’s Marshall-Marshall. Then there’s a pair of like, Overdrive Special copies paired with the Jubilees, so that’s sound two.
Then there’s the two Dumble Overdrive Special linked together with the Jubilees, so that’s sound three. So that’s basically three separate sounds, and that’s about it.
Y’know, three separate tones. But ultimately, the Marshall’s the anchor. At least for the solo thing. Can you tell us a little bit about how the Duncan Bonamassa Signature PAFs compare to some of the vintage PAFs in the guitars you’re using live?
Well, everything is differentit’d be impossible to build one pickup that’s absolutely identical to the next. But the comments I hear are that they’re very true to vintage spec.
And people throw them in everything from a Les Paul Historic to a Studio, or whatever, and they’re very true. People dig the low output, even though sometimes they’re initially shocked by how low the output is. But if you compare ’em to other vintage guitars,. It’s all about re-tuning the rig. If your rig is set for high output pickups, the signature pickup would be a shocker with the gain. Because the gain’s gone. So you need to wind it up a little bit differently.
But it’s, y’know – I’m astounded by the success of them. We’ve sold a lot of pickups! Having them for a couple of years now, and having a chance to gig with them, have you noticed anything about them you didn’t initially?
Y’know, I notice I really dig the front pickup. I’ve always been a lead pickup dweller, but the front pickup, I’ve found, is more sound. And I’ve found more uses for it over time. That’s been one thing that’s changed, I tend to lean more on the front pickup than I used to. The MXR Fet Driver. What can you tell us about your signature MXR pedal?
How did that come about? The was something George Tripps built initially as a tubeless tube-driver. All I did was add a little tweak to it – not a midrange boost, but a high-cut.
So you can use it with a Strat or you can use it with a Les Paul – high-cut out with a Les Paul, high-cut in with a Strat. It’s great, people really dug it. And the thing about the is you can sit in your living room and get a really nice sound watching television, or you can crank it up to 115dband you get a really nice sound. What other pedals are you using for this run?
I have a Klon now it’s OK. I have a, standard issue, a Wah, a, -I just put that in the board because I have a couple of new songs that use the. So, it’s fun. (Image from PremierGuitar.com) Your tech mentioned some of the vintage Les Pauls you’ve acquired needed to be re-fretted – did you stay with period-correct wire, or something larger? I always re-fret with standard vintage gauge wire, and does them. He’s the only one allowed near them! I don’t trust most people around that stuff.
Do you have any tips for someone aspiring to emulate your tone on a smaller scale or budget? You can all you’ve gotta do is turn the treble down.
Turn the gain up, and the treble down and that’s pretty much the sound. The tone knob on your guitar works. Use a low-output pickup, low treble, and more gain than you’d think and that’s kind of you get this articulated midrange. You heard the man – you want tone like that?
Gain up, treble down! Is this a pic of you David? I hope you ditched the ridiculous suit or outfit. Joe’s on stage persona has evolved over time just I’m sure yours has. I would of taken one look at the band below and not taken them seriously. May of been the best hair metal band out there at the time but I wasn’t in to that.
Now I am into guitar gods like Bonamassa and I don’t care if he wore a tuxedo on stage he would still be a bad ass dude. As far as cliched melodies I must disagree the genre’ he plays is pretty cliched but he seems to make it new and exciting at least for me. I have been a fan of his for years and his career is skyrocketing. I don’t really want to personally attack you because I don’t really know you so I suggest you have the same courtesy towards Joe.
Bonamassa Fet Drivers For Mac Pro
The MXR Custom Shop Joe Bonamassa Pelham Blue FET Driver comes in a limited run of only 300 and is exclusively sold on the official Joe Bonamassa store. This limited edition signature pedal captures the rich, creamy sound of an over driven tube amplifier by cascading an op-amp gain stage into a FET stage. The Joe Bonamassa Pelham Blue FET Driver features a unique circuit design. Step on the FET Driver to thicken up your lead tone with musical, amp-like distortion and sustain without the fragility and inconsistency associated with tubes. The FET Driver features true bypass switching and comes in a heavy duty metal housing that's ready for the road. 'This pedal glued the loose ends of my rig together,' Joe says. 'It's very focused and very fat, and it cuts through without being too bright.
Bonamassa Fet Drivers For Mac
That's a hard sound to achieve.' Each purchase of the MXR Custom Shop Signature Joe Bonamassa Pelham Blue FET Driver comes with a free T-shirt. Features:. Item #: M265 Joe Bonamassa Fet Driver.Noise Floor.88dBV.Bypass True Hardwire.CurrentDraw 26 mA.Input Impedance 1m?.Output Impedance 1m?.Power Supply 9 volts DC.Rich, tube-like overdrive and distortion.Active EQ section for the fine tonal sculpting.100% analog and true bypass.Joe Bonamassa Signature Paint Job.Measures: 6 (L) X 4.5 (W) X 2.75 (H) inches.